Jung and Mandalas

The Rubin Museum (http://www.rmanyc.org/) in New York City is hosting an exciting exhibit of C. G. Jung's art and writings. "The Red Book of C.G. Jung: Creation of a New Cosmology" runs October 7, 2009 - January 25, 2010. I was there for opening day, along with a crowd of others from all over the world to see the fabled book the New York Times describes as "the holy grail of the unconscious," in a lengthy article published on September 20, 2009 (http://www.nytimes.com/). The exhibit coincides with the release of a facsimile edition of the Red Book.

I viewed Jung's artwork at the Rubin Museum where it is displayed in a lower level gallery, a fitting place for the work of a pioneer of the unconscious. As in important dreams, I descended a staircase to another level in order to look upon some of Jung's personal creations. Small framed copies of mandala paintings from the Red Book are accompanied by modest pencil sketches on scratch paper - a blank prison camp form, a sheet from a prescription pad--recording his immediate inspirations that he later developed into his mandalas. Other items on display are copies of Jung's Black Book, some original paintings, and an informative video narrated by Sonu Shamdasani, editor of the facsimile Red Book.

The Red Book has been known of, but never seen in public until now. It has been kept in a locked bank deposit box in Zurich, Switzerland, for many years. Jung shared parts of his private journaling with family, close friends and associates, but he gave no clear indication of his wishes for it. He left it to his heirs to decide what to do. It is with trepidation that the Jung family has allowed the book to be published.

Is it appropriate to bring such personal material into the public eye? What effect will it have to make the contents of the Red Book known? Only time will tell. On the other hand, what a loss it would be for the book never to be revealed, because through it Jung offers the example of his own journey toward wholeness. His was a life lived with courage and dedication to know himself and the breadth of human experience. I came away from the exhibit inspired to appreciate the gifts that each living moment brings. I also came away with a nine pound facsimile edition of Jung's Red Book which I intend to ponder for a good while to come.

Mandalas at the Botanical Garden

It was a beautiful day today in Atlanta, perfect for a visit to the Atlanta Botanical Garden. Henry Moore's sculptures among the flowers were a perfect combination. Here's a view through one of his sensuous works. To me it looks like a moment of creation for a sky blue mandala.

Mandala from Group

This mandala was created in our 2007 mandala group by Patty O'Keefe Hutton. It is in colored pencil and ink on cardboard. There is an abalone shell button in the very center. Her mandala expresses a stage called "Reaping Rewards." It is a time when life comes into a pleasing balance.

Mandala Workbook

Hello All,

My newest book, The Mandala Workbook, grew out of experiences I had with a group of friends who came to my Plum Blossom Studio in Decatur (Atlanta), Georgia, each month. All during 2007 I wrote and sent a monthly letter to my friends. It included a description of the stage we would be exploring, a short story that conveyed the qualities of the stage, and some suggestions for mandalas that we could create during our monthly gathering.

When we got together we talked about how our month had been, and our thoughts about the stage we were focusing on. Some folks shared poems they had written--or discovered--about the stage. I had fun coming up with theme-centered refreshments. For example, we had lots of fresh cherries for an early meeting which focused on a stage reminiscent of early childhood and life's sweetness and abundance. For a group when we explored a stage aligned with adolescent issues, and a "black and white" view of life, we had vanilla flavored sugar cookies with chocolate icing on half of the cookie. We created lots of mandalas together that year. When I learn how to put pictures on my blog, I'll share some of them. with you!

My New Mandala Book December 1, 2009

Dear Reader,

The Mandala Workbook will be out in December. Whew! What a process it is to create a book. To spend the time it takes, I always must find an approach to the subject that I find fascinating. That's easy with mandalas. They are so simple, yet deeply mysterious.

During the writing of this book the Eastern approach to mandalas (that considers them representative of cycles in time) was an important focus for me. The overlay of Joan Kellogg's theory of mandala stages (the Great Round) with the twelve months of the year gave me the structure for my project. Activities for a workbook need to be thoroughly tested, to see if they really can be done and if they are rewarding for the people who use them.

So I invited some friends and friends of friends to join me in a mandala group that met monthly to explore the archetypal stages described by Kellogg and to try out my suggestions for mandalas designed to evoke a taste of each of the stages. The book is rooted in process: the creative process of individuals making mandalas, the process of the group itself as it moved through the archetypal stages, and the process mandala manifested by the group as we moved through the cycle of a complete year together.

More about this later.

Chinese Influence on Jung

I just read an interesting article by Murray Stein (Journal of Analytical Psychology, 2005, 50, 209-222.). He describes the relationship between Jung and Richard Wilhelm, the translater of the I Ching and The Secret of the Golden Flower (for which Jung wrote a wonderful introductory essay). Jung claimed that Wilhelm had influenced him more than any other individual in his life. According to Murray Stein, Jung envisioned himself and Wilhelm supporting a bridge between East and West. Jung felt such an exchange was of the greatest importance in balancing the Western attitude formed by the "one-sided rationalism of the Enlightenment," Stein, p. 219. His "relationship with Wilhelm and the integration of his contributions from Chinese culture and philosophy helped Jung to anchor himself even more profoundly than before in his own thinking." ibid. In a letter, Jung wrote that the text of The Secret of the Golden Flower "gave me undreamed of confirmation of my ideas about the mandala and the circumambulation of the center." (cited by Stein, p. 215) In other words, Jung realized that there is no linear psychological development, except possibly in childhood. Adult psychological development is a circling movement around a hidden inner center (the Self), spiraling into ever greater realization of the Self as true center--and creating mandalas is significant in this growth process.

Mexico Accomodations for January Workshop

Here are some hotels and B & B's in Ajijic. All are about a 15 minute cab ride from the Mandalas in Mexico workshop site. Visit the websites and see for yourself. I recommend that you book VERY EARLY because people flock to this area for the temperate lakeside climate during winter months. I am investigating more possible lodging options, and will post those as I get them. The village of Ajijic is picturesque, laid back, and has really good restaurants in all price ranges. Learn more about Ajijic (ah - ee - heek) at http://www.chapalaguide.com/.

Hotel Nueva Posada (Food here is wonderful, in my experience.)
http://www.hotelnuevaposada-ajijic.com/

Hotel Casa Blanca (a Mexican villa)
http://www.casablancaajijic.com/

Casa Flores (airport pickup possible)
http://www.casafloresajijic.com/

Casa del Sol Inn (luxurious accomodations)
http://www.casadelsolinn.com/

Los Artistas (owners are from Alaska)
http://www.losartista.com/

La Paloma B & B (has a swimming pool)
http://www.lapalomabb.com/